Tristan Main is a typographer and graphic designer working in and around the fields of publishing, editorial and visual identity, art direction, exhibition design and consulting.
He has worked with cultural institutions both locally and internationally, doing mostly books. Recent and projects of note include: Susan Jacobs: The Ants are in Idiom (Buxton Contemporary, 2022); Vision: Art, Architecture and the National Gallery of Australia (NGA, 2022); One foot on the ground, one foot in the water (La Trobe Art Institute, 2021); Danica Chappell: Far From The Eye (La Trobe Art Institute, 2021); Brett Whiteley: Catalogue Raisonné: 1955–1992 (Schwartz City, 2020); Keith Haring | Jean-Michel Basquiat: Crossing Lines (NGV, 2019); Roger Kemp: Visionary Modernist (NGV, 2019); Eighty Years of sam.: The Collection (sam., 2017); Michelle Nikou: AEIOU (NETS Victoria, 2016); Aleks Danko: My Fellow Aus-Tra-Aliens (Heide MoMA, 2015).
Tristan was previously on the sessional teaching staff for the Bachelor of Design at The University of Melbourne, VCA, 2019–21.
Contact
tristanmain (at) gmail dot com
© 2022. All rights reserved.
He has worked with cultural institutions both locally and internationally, doing mostly books. Recent and projects of note include: Susan Jacobs: The Ants are in Idiom (Buxton Contemporary, 2022); Vision: Art, Architecture and the National Gallery of Australia (NGA, 2022); One foot on the ground, one foot in the water (La Trobe Art Institute, 2021); Danica Chappell: Far From The Eye (La Trobe Art Institute, 2021); Brett Whiteley: Catalogue Raisonné: 1955–1992 (Schwartz City, 2020); Keith Haring | Jean-Michel Basquiat: Crossing Lines (NGV, 2019); Roger Kemp: Visionary Modernist (NGV, 2019); Eighty Years of sam.: The Collection (sam., 2017); Michelle Nikou: AEIOU (NETS Victoria, 2016); Aleks Danko: My Fellow Aus-Tra-Aliens (Heide MoMA, 2015).
Tristan was previously on the sessional teaching staff for the Bachelor of Design at The University of Melbourne, VCA, 2019–21.
Contact
tristanmain (at) gmail dot com
© 2022. All rights reserved.